Over the next week, I will be conducting the first of what I will call an Existential Interview on someone’s painting. Basically, it’s an interview of existential questions on the meaning of painting to the artist, and paintings produced by the artist. After some initial questions on the artist’s history and style, to get some grounding and direction, will come the existential questions, like why they paint, what meanings their paintings have, what legacy they hope to have with their art, etc.
Yesterday, I saw this beautiful and amazing video.
This is a center spread for a sketchbook where I combined origami (Japanese paper folding) and drawing (to lay down water coloured pencils) into an art piece. I’m not really good at either origami or drawing, so I made the best of what I had to combine the two into something which’s total was greater than the sum of its parts. It also meets my mandate for origami considering “what will I bring to the game”, with the answer being a “replicable originality”, or new twists to traditional or common origami that others can try or create their own variations.