The Occupy Movements around the world are constantly clamouring about how they represent 99% of the people. Yet, the math shows they don’t even have 1% support anywhere you look. Try this simple exercise.
Was it unexpected? The odd makers say it was! Susan Boyle was the favourite going in. Aidan Davis was second. The others were too far behind, it seemed, to give realistic consideration to the crown. But the Diversity Dance Troupe (already with their own Wikipedia entry I see) won Britain’s Got Talent 2009! They got the people’s vote, as well as judges Simon Cowell and Amanda Holden‘s votes, by the sounds of what they said at the end of the video. Piers Morgan did not agree, and I’m with Piers there, but not on Flawless being better than them. Just that there were better acts than Diversity.
Diversity’s winning performance breezed through a range of movie and dance songs for music and choreography. They included Transformers, Superman, and some dance songs of the 90s. I especially liked the touch where they created the table with the judges and threw in three buzzes. Very clever and fun, talented and creative. They also did not use their semi-final routine so they brought something new. That was more than Aidan Davis could claim, I’m afraid. Aidan used his audition routine in the finals, on a grander and glitzier stage that added the technical background effects of his semi-final routine. Unfortunately, special effects don’t count for votes, and it was also a routine which I actually thought was inferior to his semi-final performance. However, I think I’ve seen too many good dance routines to be nearly as impressed as the people of Britain and judges. They might not have seen moves like those in Britain, but in America, I’ve seen better in just about everything from break dancing to tap dancing. Even Irish dancing! However, the good thing about Diversity winning is in their name. It left Britain’s Got Talent a show about diversity, not predictability. They had an adult singer, a child dancer, and we were heading there again with either Susan Boyle or Aidan Davis. Even Hollie Steel wasn’t a big stretch in a child singer, of which they’ve had a strong past contender in six year old Connie Talbot (2007, absolutely adorable audition video).
Susan Boyle came in second despite regurgitating her audition number of I Dreamed a Dream from Les Miserables. There was no drama, no crowd energy, no surprise or anything like the audition. I would even say it wasn’t say it wasn’t as good as her audition. For that reason, I’m only including a link for anyone who wants to watch. Not worth the blog real estate for an embedded video. I’d highly recommend her audition video if you haven’t seen either. THAT, was a magical moment!
Unlike Susan Boyle, though, Hollie Steel came out with an angelic, heart wrenching and professional rendition of Wishing You Were Somehow Here Again, from Andrew Lloyd Webber‘s Phantom of the Opera. It was just beautiful! She sang it like she meant every word of it, and justifiably so given how appropriate the lyrics were! I bet Hollie wished the crowd would be there again for more performances. The whole experience definitely taught her how to live, and what it means to forgive (reference melt down and comeback in the semis). Even the line about “then my world was shattered” became prominent given what unexpectedly happened in the semis. Then, of course, to end with “no more memories” and “help me say goodbye”, was absolutely appropriate for the occasion. Whoever thought of it couldn’t have chosen a better song.
It was also a new piece for Hollie. You’d think if a child could come up with three songs to sing that someone like Susan Boyle could have as well. As I had speculated in my previous post, Susan is a one trick pony who can sing the grand songs, but that there weren’t many and many of the grand songs aren’t grand all the way through. I thought Hollie would have to do something a little faster and more mature if she were to win, but will put that thought aside to complement her in surprising with a soft, dramatic and loving piece that was difficult to sing. On top of that, she added a few touches of her own and also acted out some of its emotions! And no nerves, either, despite the semi-final breakdown that would still be on her and everyone else’s mind! Fourth time she’s made me cry in BGT! Just lovely!
I don’t know if that second chance she got last night affected Hollie not getting second place over Susan Boyle, given the British were going for dance and not singers. However, she should have gotten second in my mind, and just confirms my belief that Britain is not a land or a people of second chances. They probably gave Hollie a second chance because Simon led the charge to give her a second chance.
Saxophonist Julian Smith got third place with yet another regurgitation of an audition, playing Somewhere. That’s completely lame! Since he didn’t put an effort towards it, I won’t to put even a link to it, either. You can go find it if you want it to see it that badly. And I’ll also say that Britain, you should be ashamed of yourself for voting him in third!!!
For a 29 year old music teacher, you should expect him to have more songs in his repertoire. There are also many other challenging songs, and it’s not like he didn’t have the time to practice, either! Singers, like instrumentalist, have a much wider source of material than dancers have to draw upon, and likely something to showcase every strength they have as well as hide any weaknesses. To regurgitate, especially if you’re a music teacher, is deplorable!
Is this Britain’s Got Talent, or Britain’s Got Redundance?
So while the audience vote was:
- Diversity (24.9%)
- Susan Boyle (20.2%)
- Julian Smith (16.4%)
Full finals and semi-finals vote info here.
(courtesy of Commenter Steve, thank you!!!)
My vote would have been:
- Hollie Steel
- Aidan Davis
I think the Queen would have preferred to have seen Hollie as well, royalty being what it is in “properness”. But she’ll get to see Hollie soon enough, I’m sure, which is more than I feel I can say for Diversity’s long-term future. What do dance troupes do for shows? Could they dance for an hour? If they could, why didn’t they dance for like 3 minutes instead of 2, show more moves and more likely guarantee their win? And they are going to be in for a major reality check when they go international and see what the Americans, Irish, French, Koreans and so on can do with respect to real dancing!
My consolation with Hollie’s outcome, though, is that Hollie will be getting some very good recording contracts, as well as television appearances. In the long run, I think the public will be easily more enamoured with her than with Susan Boyle. There’s no more anticipation and no fairy tale ending to look forward to any more for Susan. She’s had a few blow-ups with the press already! Hollie, meanwhile, is just adorable and sings like an angel in every sense of the word. With the redemption she showed in the finals, people won’t be nervous about having her not be able to perform live again in talk shows and such, any more. So I say, Oprah and Ellen, Larry, Jay, David and Conan, bring on Hollie! Let’s once again prove America is the land of second chances, as Malcolm Gladwell documented in Outliers, so give the kid a second chance. But wait till summer when she’s done school, eh? 🙂
Hollie will be a full-fledged bonafide star by this time in 2010 that she won’t need to come back to BGT 2010 to try it again, either! “Failure” will do something for one’s resiliency for those who know how to handle it, and Hollie showed that admirably in the semi-finals. Remember, failure is not about falling down, it’s about not getting back up!
So I guess that’s it for now with Britain’s Got Talent 2009. I’m going to really miss it, but really look forward to the 2010 season. Meanwhile, America, as I said before, you’ve got to up the talent to match what they’ve got over there. And for the British, watch more American dance. You’ll really be wowwed by what they’ve got. As well, expect more, especially of singers and instrumentalists who have so much material to draw upon they shouldn’t have to regurgitate materials for the finals! That’s really sad! Maybe they should make that part of the show rules, about no repeats in the finals for musicians and singers cause it’s a boring show otherwise.
As for me being Canadian, I don’t even watch Canadian Idol, the closest thing we’ve got to these talent shows… and for good reason. However, I am comforted by how many professional singers, bands and such, of all genres, we have on the charts consistently these days. For a low population country, we sure produce our fair share of professional talent!
Two question to end.
- How would you have voted in the finals among the acts?
- How much do you think Christmas concert tickets at Hollie’s school will go for this year? 🙂
Nov 8 add-on. See George’s extensive comments below for a huge bunch of other insights and information that is a nice supplement to this post. Many others who have also comment also add to the value of this post, and I want to genuinely thank everybody for their insights and time.
Flesch-Kincaid Grade Reading Level: 7.5
Hollie Steel and Susan Boyle both made great use of the surprise element to enhance their dazzling auditions on Britain’s Got Talent to stratospheric levels. Hollie started off dancing, dressed in a ballerina outfit before she opened her mouth the blast away everybody with her stunning singing. Susan Boyle, meanwhile, looked “frumpy” and over the hill, incapable of having such a polished voice since nothing else about her said “polished”.
But now, we’re getting ready for the next round and those elements of surprise are gone. People will be expecting great performances out of both. What should they each sing to get them the edge over the other?
Simple answer, in terms of concept, if you ask me. Difficult as heck of an answer, in terms of details, if you ask me.
I think they should both sing something which demonstrate the strengths in their vocal abilities, as well as show us a new element of their singing and/or character to add a little surprise. That is, keep the same formula as much as you can. But without both elements, the expectations of another great song would just be too great for either to fully satisfy now that people have an idea of how great their voices are.
There are many songs that suit the strength criteria, with all of breadth, power, great lyrics and such. A British crowd pleaser would certainly be a bonus. Susan’s strength is seriousness and grandeur. We heard her sing I Dreamed a Dream that was slow, with notes held long and several grand flourishes. Hollie, meanwhile, has more dexterity and range in her voice, singing a suitably playful and light I Could Have Danced All Night to suit her girlish looks.
That said about both Susan and Hollie, what might they be able to surprise us with, then? Well, I find it hard to imagine Susan doing most fun number convincingly. She might look like a granny, for example, but can you imagine her singing Supercalifragilisticexpialidocious from Mary Poppins, for example?
The best I can imagine Susan to do for fun is Honey Bun from South Pacific, like Reba McEntire does below, hip twisting and all as Susan showed she could do in audition intro to Simon Cowell while saying “and that’s just one side of me” that drew quite the reaction from the crowd. Susan would never win on that number, but it’d be hilarious and I’d pay a lot to see it!
Susan might do well in the style of fun if she were to choose something like A Wonderful Guy from South Pacific. It’s the prototypical fun song for the “frump next door”. Hahaha. I can’t believe I just came up with that! Frump next door. That’s my new affectionate nickname for Susan. Anyway, Susan can even seduce the judges with this song by dedicating it to, say, Piers Morgan, who had asked her on a date to apologize for his cynicism of her abilities on the show and she had accepted. I don’t think Simon Cowell would fall for it, though. It’s all in the lyrics so listen carefully! Brilliant choice for Susan, in my opinion. But, alas, can’t you also imagine how cute little Hollie would be doing something like this??? Susan would be beaten at her own song, even if Hollie could not try to seduce any of the judges with it like Susan could given her age.
Hollie, meanwhile, I think could go serious in any number of ways while still retaining her childish charm. That is, she could be on Susan’s turf and still keep her identity in all this. What if Hollie stepped out and did the Liverpool soccer team favourite of You’ll Never Walk Alone, in the style Sissel does below with the ravishing surprise ending? I think they’d go nuts for her! Susan couldn’t hit that note, but wouldn’t sound all that unique or special if she were to sing it, even though she’d sing it well.
I thought about Josh Groban‘s You Raise Me Up, but that was recently done by former BGT super contestant Connie Talbot. It was outside of BGT at the age of 8, and as much better as Hollie would be able to do it, it’d be too close in time for comparisons. I think if Hollie were to really dazzle, she’d sing For Good, from Wicked. It’s one of my favourite 10 songs, and so thoughtful a song it’d be the one I’d play at my funeral to share a last thought if I could only have one song. Turns out, it might also be one of Hollie’s favourites as Hollie had said on the Today Show that she would love to sing in Wicked in London’s West End! She might well do this song! I only found out in trying to find hints Hollie might have given for her next song and saw she was thinking something similar, if not the same thing. Imagine that! I might just get my wish, and wouldn’t that just be Wicked? Listen to the lyrics in this duet version that I’ve heard interpreted solo before, and imagine a 10 year old singing that to you! I think I’ll need to Kleenex to sponsor me for that one! Ironically, Susan might be old and more suited to give this kind of advice, but she just wouldn’t move me the same way Hollie would. Not even close!
So what’s Susan to do then, if going fun isn’t suitable for her? I say stick to the powerhouse classics. Maybe she could try one sung by her idol Elaine Page? There’s an emotion filled rendition of Memory from Cats below by Elaine. If Susan could do it with that much emotion, given her voice and less polished look to look like a character who might say those lines, and add in a few growls, it’d be stunning! Even better, I’d love to see Susan sing it in costume! She’d be quite the cat! A “little tiger”, as Simon Cowell called her during her audition on Britain’s Got Talent… 😉
Of course, if Hollie showed up in a little cat outfit, everybody would all be melting over how cute she would be! And even if the audience could immediately predict she’d be singing Memory upon seeing her in her cat suit, I think the voice power and the image of a little girl pouring out such maturity would confound them and dazzle them enough to stun them like Susan could not.
Ah, let’s face it. I’m convinced Hollie Steel will win Britain’s Got Talent 2009, even if the odds are not with me. But whatever Susan and Hollie come up with, though, I’m sure it’ll be good and frankly, I can’t wait! When is that next round anyway?
What would you suggest Hollie Steel and Susan Boyle sing next on Britain’s Got Talent?
By the way, WordPress just enabled videos in Comments. I don’t know how it works yet but if you want to try, see if you can make it work with a video to illustrate your choice of song/s!
Flesch-Kincaid Grade Reading Level: 7.5