Every once in a while, I try something new on the Internet and it sticks with me to become a part of my life. The most recent one is Spotify online music streaming and I just wanted to share my set of playlists with anyone who might care for it, or check out Spotify for themselves. Wi-fi, especially free wi-fi, is widely available in a lot of places these days, so it’s like being able to take some music libraries with you anywhere you go. That could be the entire Spotify catalogue you’d have access to, or just your own playlists (or others’ playlists you can follow as part of your library.
I am able to do a lot of things where I am able to leave on my large collection of oldies music to listen to. When I say oldies, I mean oldies, like 1930s and 1940s. Every now and then, while I’m toiling away, something will come on that will stop me dead in my tracks to listen and enjoy. I absolutely LOVE those moments, and there’s no shortage of them, I assure you, because there’s a LOT of great oldies music!
The latest discovery for me is this gem, Whisky Head Woman, by Tommy McClennan, that is 1939 Delta Blues. Listen to the song and see the full lyrics below.
Blossom Dearie has a very uniform identity of femininity, from her girlie name to her 50s June Cleaver looks to her pipsqueak of a voice that could hardly be heard from the second floor balcony, so it’s been written. She also chooses to sing very cutesy or romantic songs, among which Once Upon a Summertime (playable MP3) is my favourite, among her songs and all the other versions out there.
But one day, Blossom got the blues… and what nasty blues they were, too!
My name is Blossom
I was raised in a lion’s den
Book and Theory Background
My basic paraphrasing of the concept is this. All the songs in the world could be fit into at least one of six categories providing an evolutionary benefit to humanity, often ultimately tied to our social nature.
The book and website offer far more detailed interpretations, of course, but I will expand on my paraphrasing with each post and the associated topic.
In a series of posts, I will describe each of the six categories in brief, one at a time:
I will describe what the categories are about because they are not as limited in scope as the category names suggest. I will then supply one of my choices and ask all readers to do the same if they so wish. In the seventh post of the series, I will offer the chance to put the song choices all together so readers can read the entire set on one post. I do this because it would be a long post to describe all six categories at once, but to have all the answers in one place might be nice.
This post focuses on Songs of Comfort
July 30th add-on in italics, from Dan Levitin in a summary article
This category of song provides comfort in times of loneliness, stress or heartbreak, along with the classic comfort song, the lullaby. Music written about loneliness and stress can provide us with comfort by assuring us we are not alone in our grief or misery, aiding the recovery process. Lullabies mutually calm mother and child, and may release prolactin, while at the same time providing a bond between the two, which is beneficial for the child.
These songs make us feel more comfortable, whether by easing us into more comfort or relieving us of discomfort. Often, it is the latter, and often through letting us know we are not alone in whatever predicament the songs are trying to relieve us of, that we have a place in the greater whole. Sometimes, songs of Comfort may overlap with Friendship / Bonding category, but should only be considered as such if they were also motivating one to bond or forge direct relationship. If one truly wanted to fit a song into only one category, should the encouragement to bond be present, then consider the song a Friendship / Bonding song, not a comfort song. Encouragement to bond in a way related to “love” will be dealt with later but that also trumps the Comfort category if there were two possibilities and one only wanted to fit a song into solely one category.
Sad songs are the most common form of Comfort songs, but so are lullabies and blues. Comfort songs’ benefit to our evolution is that they cause the release of prolactin, a tranquilizing hormone that comforts us, among many other purposes. Obviously, comfort during times of stress, or even just more comfort in good times, benefits our survival.
Audio sample of songs from the Comfort chapter in The World in Six Songs can be found on the website. No direct link was available, but click on the Songs menu option and appropriate page number range link carrying pages 111 to 136. Please note that not all songs are meant as samples of Comfort songs. Some are just referenced material in the book text.
Author Daniel Levitin chose
My choice for Song of Comfort is
Written by Eddie Delange, Irving Mills, Duke Ellington, this bluesy jazz standard talks about a person in solitude longing for her (or his) lover who has left her/him. However, because the singer sings it like it’s happening to her, the listener regards it as someone else going through the same situation. As for my insistence upon the Billie Holiday version, well, let’s just say there’s nobody who knows how to make a song sadder than Billie. She’s got an album titled Lady Sings the Blues, for which she wrote the title track, for a very good reason. I could actually listen to any Billie Holiday song, sad or happy, and I would feel better if I were feeling sad. She’s got that “honest signal” quality in her singing to persuade the listener she knows what she’s talking about rather than faking it. “Honest signal” is discussed by Daniel Levitin in the Love chapter as being regarded as superior to speech because it is more challenging to fake singing an emotion than talking about it.
What is your choice for Song of Comfort?
Please leave your choice as a comment.
Lyrics and YouTube/audio link would greatly enhance your answer so readers can know more about your choice. They are not necessary, though, and not possible if no lyrics or version exist.
You can include songs you wrote as a choice, too!
Flesch-Kincaid Grade Reading Level: 10.1